Friday 11th January
It was 1967, and in the sleepy backwater of Stowmarket, Suffolk, my home town, things were about to change. For years the outside world had hardly touched the town and its equally sleepy denizens whose highlight of each year was the Carnival. This usually consisted of a series of floats decorated by local groups such as the Scouts and even the residents of certain roads would sew and saw and build quite remarkable edifices which would be mounted on flat-bed lorries and paraded through the streets. I was often on the Scouts lorry myself, and this along with the accompanying fair on the recreation ground was about it. For some reason in 1967 it was decided by the Carnival Committee to hold a ‘pop’ festival at the local football ground on the night of the Carnival. The young people of the town and local villages would be catered for by this forward thinking and caring committee of local volunteers who had absolutely no idea what a ‘pop’ concert would entail. The thing was planned months in advance and enquiries to managing agents made and the ‘group’ were booked. They were an entirely unheard of but aspiring blues band called Pink Floyd, who unbeknown to anyone here in Suffolk were beginning to make serious waves on the nascent ‘Underground’ scene in London. Ticket sales were slow until in the March of that year the band released ‘Arnold Layne’ shortly followed by ‘See Emily Play’.
Suddenly they became massive, and the concert coincided with ‘Emily’ reaching number 8 in the charts, and ticket sales took off. This was that wonderful moment of liberation we old hippies look so fondly back on; a time of beads and bells and kaftans and ‘Sergeant Pepper’ and ‘Let’s go to San Francisco’ and all that peace and love stuff, before Altamont and the end of the short but wonderful hippy dream. Anyway as the concert approached a few of us in the lower sixth who thought we were better informed than most intended getting to the concert really early. We had read about the psychedelic light shows and the drugs and the incredible music, quite unlike the two singles, and we thought we were in for something brilliant.
It was still daylight and I was at the makeshift bar inside the venue getting steadily drunk on stout and cider, a most lethal combination, when in walked four guys with long hair and groovy clothes on. We got talking and I was delighted to discover it was the band themselves – Syd Barret, Roger Waters, Nick Mason and Rick Wright. We chatted about music and life in general for half an hour and I even got them to sign a ten bob note. It felt like they were my mates, you know – the boys in the band just about to play.
They left and soon the gig started. As darkness fell and the opening notes of Astronomy Domine pierced the air the light show began and I was transported to another level. It was the first time I was totally engulfed in and obliterated by music. I was also dead drunk and cannot remember much after that first song. I also spent that famous ten bob note (worth a fortune now) on even more stout and cider and was ill for days after.
But in my own quiet unassuming way I feel I may have nudged them on to even greater things, though modest as I am I have never before publicly declared my part in their undying success.