Nickleback – A good piece of advice – never buy an album on the basis of hearing one single. Silverside Up contained one excellent single ‘How You Remind Me’…and 9 pretty poor shouty songs….oh well.

Harry Nilsson – A superb singer and a flawed personality who hardly ever appeared live but recorded some brilliant songs and albums.   We start with for me a rarity, a download (because it is almost unavailable on CD) Spotlight on Nilsson (1966).  Quite a poor debut actually, which I have sought out with little luck.  Still, it is part of his legacy.  It is a compilation of his first 4 singles on Tower records – which all sold poorly, and 2 new tracks.  Nothing of any real note.  He then got picked up by RCA, the label he stayed with for most of his career…they must have had a lot of patience, I think.  His first album proper was 1967’s Pandemonium Shadow Show.    Not at all bad, some good songs, a couple of Beatles covers and a great version of ‘River Deep, Mountain High’.  My favourites are ‘1941’, ‘Sleep Late My Lady Friend’ and best of all ‘Without Her’.  A nice if now dated sounding record.  A little better was his follow up 1968’s Aerial Ballet.   The songs are better and the record seems to flow smoother, best are ‘My Good Old Desk’, ‘Little Cowboy’ and of course his breakthrough song ‘Everybody’s Talkin’ (written by Fred Neil but featured in the film Midnight Cowboy).  He later, on the back of more success released these first two albums on a single record…Pandemonium Aerial Ballet; nothing new but a couple were remixed.  1968 was a busy year – Harry was asked to write and perform some songs for a Hollywood film Skidoo (he actually had a bit part in it too).   Nilsson sings about half the album, filled out by music from the film.  A bit of a strange record really.  I love ‘The Cast and Crew’ where he sings all the credits of the actors and crew.  The film itself is unseen but sounds a bit daft.  Anyway, a couple of other songs of note are ‘The Cast and Crew’ where Nilsson sings the film credits, and ‘I Will Take You There’.  This album is strictly for completists like me. His next album proper was Harry (1969).  A better album than the first two, the songs are cleverer and quite catchy and again he remains unclassifiable – it definitely isn’t Rock or Pop or even Middle of The Road – it is simply individual.  Best songs; ‘Marching Down Broadway’, ‘The Puppy Song’ and ‘Mr. Bojangles. A delightful record.  Then came a rare diversion – a whole album of someone else’s songs – Nilsson Sings Newman (1970) where Harry devotes a whole album to the superb songs of Randy Newman (see N).  Now I hadn’t heard of Randy when I bought this record and Harry turned me on to him.  Another brilliant songwriter brought to a new dimension by the perfect singing of Harry, or rather lots of Harrys.  Nilsson overdubbed his own voice to create multi-harmonies, a technique he would employ on later records too.  The result is something quite exquisite.  Of course, the album bombed.  But I loved it, all the songs are great, if I have to pick three, they would be – ‘Love Story’, ‘I’ll Be Home’ and ‘Living Without You’.  The Point – Now, here is a strange one, and actually a real gem. Nilsson wrote and narrated a rather silly child’s story and interspersed with some sumptuously gorgeous songs.  This has long been a favourite, I used to play it for my son.  The LP came with a booklet with cartoons of the story.  Best songs are probably – ‘Poli High’, ‘Think About Your Troubles’ and ‘Life Line’.   But the best was yet to come – the same year; 1971 – he released his first Masterpiece, called stupidly Nilsson Schmilsson.   Almost every song is a winner, it includes the number 1 hit ‘Without You’, written by 2 members of Badfinger.  It was Harry’s first real ‘rock’ album and a great commercial success.  Again, hard to choose favourite tracks but ‘Early In The Morning’, ‘Jump Into the Fire’ and ‘I’ll Never Leave You’ are simply sublime.  Harry’s voice was stacked into a choir on some songs; he also had a joke song ‘Coconut’ on the record which almosty spoiled it – but not quite.  But then, as so often with Harry he went too far with his follow-up – 1972s Son Of Schmilsson; possibly his worst album – weird and almost treated as a throwaway it feels.  Okay, the production and singing and backing are good – but the songs are either stupid or worse – crass.  Oh well….but Harry has always surprised us and the following year he produced Masterpiece number two – A Little Touch of Schmilsson In The Night.  This was a gorgeously arranged and recorded full orchestra re-reading of many timeless classics form the forties and fifties.  Not a poor choice amongst them – I knew many but now love them all.  Harry’s voice seems perfectly attuned to these old and often slower songs, though some also swing.  My favourites are ‘For Me and My Gal’, ‘Makin Whoopee’ and ‘As Time Goes By’.  This was later reissued along with a few tracks that didn’t make the initial release as ‘As Time Goes By’.   In 1974 busy boy Harry released a soundtrack to a film starring himself and Ringo (who also produced the film) and a few other rock players.  Apparently, it was a huge mess and a flop; very amateurish.  It did feature a handful of Nilsson songs along with incidental music.  A pity as the cast of musicians on the soundtrack reads like a who’s who of the gliterratti rock world at the time. The film is called Son OF Dracula – and the soundtrack is pretty unavailable…and I don’t have it.  But, also that year he did release a solo album Pussy Cats which was produced by John Lennon.   But really the recordings should have been postponed as Harry’s voice was pretty shot – too much drinking and partying.  Still the album is sort of okay, half covers and half Nilsson originals and a stellar cast of musicians.  Best are ‘Old Forgotten Soldier’ and ‘Don’t Forget Me’.    Much better was his next, the self-produced Duit et Mon Dei – also 1974.  In fact, it is almost a return to form, but one or two songs are poor.  The album is rescued by the beautiful ‘Salmon Falls’ and ‘Down By The Sea’ – ‘What’s Your Sign’ and ‘Home’ are not bad either.  Then came Sandman (1976) which was a so-so record.  ‘Could do better’ would be on his report card. Only opener ‘I’ll Take A Tango’ really stands out for me.  Later the same year though came a better record – That’s The Way It Is.  Especially the track ‘That Is All’ an underrated effort by George Harrison which Harry sings beautifully, one of his best interpretations.  Also good are ‘Moon shine Bandit’ and Randy Newman’s ‘Sail Away’ – a lot of covers again but not a bad album.   Harry made one last album for RCA – Knilsson in ’77 – and maybe he saved the best for last.  It is a wonderful record and my favourite of his, but Harry’s luck ran out and the album was poorly promoted and sold weakly, which is such a pity as it was so good.  From the first song ‘All I Think About Is You’ to closer ‘Perfect Day’ Harry doesn’t put a foot wrong.  Hard to choose but if I have to – ‘Old Bones’ and ‘Laughin Man’ are especially good.  The album also has maybe the worst cover picture ever too.  Anyway, that was really the end of his career.  He released an album in 1980 called Flash harry which sunk without a trace and is very hard to find now.  And a posthumous one Losst and Found released recently.  I also have one of many compilations Everybody’s Talkin which is lovely.  A brilliant voice, an inventive songwriter, a drunk and a difficult man….ultimately a wasted talent, he died in 1994 aged just 53.